SDC Member
Film
| Respect | MGM | Lisel Tommy, dir. |
Director
| Where The Mountain Meets The Sea | by Jeff Augustin/The Bengsons | Ancram Center for the Arts | ||
| Confederates | by Dominique Morriseau | PlayMakers Repertory Company | ||
| Someone Will Remember Us | by Deb Salem Smith/Charlie Thurston | Trinity Repertory Company | ||
| Fences | by August Wilson | Trinity Repertory Company | ||
| The Odyssey | by Derek Walcott | Alley Theatre | ||
| Fairview | by Jackie Sibblies Drury | Trinity Repertory Company | ||
| Light It Up! | by J M Webb/L Durond Thompson | Cleveland Play House | ||
| Choosing Love | by Chisa Hutchinson | Alley Theatre | ||
| Voices From a Pandemic | Co-directed with Nigel Semaj | Notch Theatre | ||
| Fabulation Or, The Re-Education of Undine | by Lynn Nottage | Temple University | ||
| Annie | by Meehan/Charnin/Strouse | Alabama Shakespeare Festival | ||
| Into The Woods | by Stephen Sondheim/James Lapine | Webster University | ||
| Joseph...Dreamcoat (Assoc. Dir.) | by Webber/Rice | Andy Blankenbuehler | ||
| Moony's Kid Don't Cry | by Tennessee Williams | Drama League Director Fest | ||
| February House CD Release | by Gabriel Kahane/Seth Bockley | Joe's Pub | ||
| Central Avenue Breakdown | by Kevin Ray/Andrea Lepcio/Suellen Vance | Deagu International Musical Theatre Festival | ||
| The Beard | by Paul Mancini | Tiny Rhino | ||
| A Christmas Carol | by Adrian Hall | Trinity Repertory Company | ||
| Central Avenue Breakdown* | by Josh Sohn/Kevin Ray/Suellen Vance | New York Musical Theatre Festival | ||
| The Three Times She Knocked | by A.D. Penedo | FringeNYC | ||
| Urban Retreat Readings | by Various Playwrights | Young Playwrights Inc. | ||
| Church Basement Ladies | by Jim Stowell/Jessica Zuehlke | Maples Repertory Theatre | ||
| Clue:The Musical | by Peter DePietro | Maples Repertory Theatre | ||
| Blood Knot | by Athol Fugard | Brown/Trinity Rep | ||
| Makandal (Reading) | by Carl Hancock Rux | Arts In the One World Conference | ||
| TOT! An Ontological Slugfest | by Ian McDonald | Writing Is Live Festival | ||
| Woyzeck* | by George Büchner | Brown/Trinity Rep | ||
| Dogs of the Blue Gods* | by Ian Fraser | Brown/Trinity Playwrights Rep | ||
| The Tempest | by William Shakespeare | Brown/Trinity Rep | ||
| Mo'Reece and the Girls | by Jackie Sibblies | Brown/Trinity Rep New Plays Festival | ||
| Our Country's Good | by Timberlake Wertenbaker | Brown/Trinity Rep | ||
| Chicago | by Kander & Ebb | Festival 56 | ||
| Oh, Mister Cadhole | by Lisa Ferber | Playwrights/Actors Contemporary Theatre | ||
| Big River | by William Hauptman | Arrow Rock Lyceum Theatre |
Choreographer
| The Royale | Playmakers Repertory Theatre | Vivienne Benesch, dir. | |
| Beautiful | Marriott Theatre, Lincolnshire | Jessica Fisch, dir. | |
| Cabaret | Alabama Shakespeare Festival | Rick Dildine, dir. | |
| A Christmas Carol | Alley Theatre | Rob Melrose, dir. | |
| In The Red and Brown Water | Columbia School of the Arts | Melissa Crespo, dir. | |
| Sunday In The Park With George | The Guthrie Theater | Joseph Haj, dir. | |
| Kid Victory by Kander & Pierce | The Vineyard Theatre | Liesl Tommy, dir. | |
| Frozen - Live at the Hyperion | Disney Resorts | Liesl Tommy, dir. | |
| Kid Victory by Kander & Pierce | Signature Theatre | Liesl Tommy, dir. | |
| The Comedy of Errors | The Public Mobile Shakespeare Unit | Kwame Kwei-Armah OBE, dir. | |
| Pericles; The Prince of Tyre | The Public Mobile Shakespeare Unit | Rob Melrose, dir. | |
| Les Misérables | Dallas Theater Center | Liesl Tommy, dir. | |
| Meet Me In St Louis | Arrow Rock Lyceum Theatre | Peter Reynolds, dir. | |
| Oklahoma! | Maples Repertory Theatre | Michael Perlman, dir. | |
| My Fair Lady | Maples Repertory Theatre | Peter Reynolds, dir. | |
| A Christmas Carol | Trinity Repertory Company | Liesl Tommy, dir. | |
| Dessa Rose | TheatreWorks, Palo Alto | Robert Kelley, dir. | |
| Gypsy | Arrow Rock Lyceum Theatre | Adrian Cameron, dir. | |
| Bye, Bye, Birdie | Arrow Rock Lyceum Theatre | David Caldwell, dir. | |
| Peter Pan | Arrow Rock Lyceum Theatre | Quin Gresham, dir. | |
| Crowns | TheatreWorks, Palo Alto | Anthony Haney, dir. | |
| City of Freaks | The A Train Plays vol.XX | Edie Cowan, dir. | |
| Aida by Elton John & Tim Rice | Arrow Rock Lyceum Theatre | Michael Bollinger, dir. | |
| Pippin | Arrow Rock Lyceum Theatre | Phillip Caufield, dir. | |
| Ragtime* | TheatreWorks, Palo Alto | Robert Kelley, dir. | |
| Guys & Dolls | Arrow Rock Lyceum Theatre | Peter Reynolds, dir. | |
| Chicago | Arrow Rock Lyceum Theatre | Phillip Caufield, dir. | |
| Swing! | Stage One Productions | Arthur Marks, dir. | |
| Too Darn Hot! A Celebration of Cole Porter | Wanderlust Theatre Company | Bick Goss, dir. | |
| The A Train Plays vol. XVI | Producer, Lawrence Feeny | Tom Paitson, dir. | |
| Shakin' The Mess Outta Misery | Temple University | Peter Reynolds, dir. | |
| Parade | New York University | John Simpkins, dir. | |
| Simply Skins: Daughters of the Drum | Various Locations | Linda Austin, dir. |
Assistant Director/Choreographer
| Pippin | Assistant Director | The A.R.T. | Diane Paulus, dir. |
| Standard Time | Assistant Director | Mark Stuart Dance Theatre | Mark Stuart, dir./choreo. |
| Don't Go Gentle | Assistant Director | MCC Theatre | Lucie Tiberghien, dir. |
| February House | Assistant Director | The Public Theatre/Long Wharf Theatre | Davis McCallum, dir. |
| Porgy & Bess | Production Assistant | Broadway, Richard Rodgers Theatre | Diane Paulus, dir. |
| Ruined | Assistant Director | Berkeley Repertory Theatre | Liesl Tommy, dir. |
| The Huntington Theatre | |||
| La Jolla Playhouse | |||
| A Christmas Carol | Assistant Director | Trinity Repertory Company | Liesl Tommy, dir. |
| Some Things Are Private | Assistant Director | Trinity Repertory Company | Laura Kepley, dir. |
| Smokey Joe's Cafe | Associate Dir/Choreo | Maine State Music Theatre | Bick Goss, dir. |
| War Brides | Associate Director | The York Theatre | Bick Goss, dir. |
| Chicago | Co-Choreo/Dance Captain | Maine State Music Theatre | Bick Goss, dir. |
Education
| Brown/Trinity Rep, MFA Directing, Symbolic Degree Recipient for Graduating Masters |
| Webster University Conservatory, BFA Musical Theatre |
*Awards, Fellowships and Observerships
| Drama League Fellow, 2012 |
| NYMF Excellence Award for Best Choreography for Central Avenue Breakdown. (Honorable Mention for Directing) |
| Observing Director for The Capeman, Directed by Diane Paulus for The Public Theatre |
| Motif Theatre Award, Nomination Best Summer Stock Production for Dogs of the Blue Gods |
| Motif Theatre Award, Nomination Best College Production for Woyzeck |
| Dean Goodman Choice Award, Best Choreography for Ragtime |
Teaching Resume Available Upon Request